PORTFOLIO

HAMLET & NARCISSUS PASSING THROUGH THE LOOKING GLASS

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exhibition view - DARK ENTRIES - CHARISSCHWARZ Gallery Berlin, 2019

THE ABYSS (DETAIL)

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Kanahi Yamashita & Anna Kolod in front of the painting - THE ABYSS - at the exhibition - DARK ENTRIES - 2019 - CHARISSCHWARZ Gallery - photo by Jean Delier

RHIZOME-GARDEN (detail)

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2019 - oil on canvas - (detail)

THE ABYSS

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from the series MELANCHOLIA - Diptychon - 2017 - oil on canvas - 200 cm x 230 cm

THE ABYSS & KANAHI YAMASHITA

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the solo concert at the exhibition - DARK ENTRIES - CHARISSCHWARZ Gallery - Berlin, 2019 - photo by Anna Kolod

YOUNG MAN RECEIVING PSYCHE'S FIRST KISS

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from the series MELANCHOLIA - 2019 - oil on canvas - 60 cm x 60 cm

THE PHILOSOPHER (from the series ANIMALS)

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2015 - oil on canvas - 80 cm x 80 cm

HAMLET

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exhibition view - DARK ENTRIES - CHARISSCHWARZ Gallery - Berlin, 2019

ACÉPHALE & THE HEART HAS ITS REASONS OF WHICH REASON KNOWS NOTHING

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from the series MELANCHOLIA - 2016 - oil on canvas - 200 cm x 460 cm

ADONIS 13 & DON JUAN

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exhibition view, CHARISSCHWARZ Gallery, Berlin, 2019 - oil on canvas - 2018 & 2015 - 80 cm x 80 cm & 80 cm x 80 cm

DARK ENTRIES

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-- Which shouldn't exist - in this world - the one who forgets - or the one - who is forgotten? -- Which is better - to love - one who has died - or not to see - each other when you're alive? -- Which is better - the distant lover - you long for - or the one you see daily without desire? -- Which is the last unreliable - among fickle things - the swift rapids - a flowing river - or this human world? - (Izumi Shikibu) -- Kanahi Yamashita inside the exhibition DARK ENTRIES - CHARISSCHWARZ Gallery - 2019 - photo by Anna Kolod